Check out the recent GEARCAST show on Kyle Bull’s YouTube channel where I had a great discussion about all things related to guitar tone and music.
NEW and updated for 2021! Introducing the LegendaryTones HOT MOD V2 EVO, a plug-in dual 12AX7 pure tube module specifically engineered to dramatically increase gain in Marshall amps. The HOT MOD V2 EVO requires NO chassis cutting, drilled holes, or wiring modifications to your amp – it simply and easily installs in place of the middle V2 tube position. The circuit within harnesses the power of an additional gain stage now running an additional 12AX7 tube.
Want your classic Marshall to sing with increased sustain and pure vacuum tube tone? Your tube high-gain solution is here. No solid state tricks or clipping diodes. 100% pure tube gain. The HOT MOD V2 EVO circuit was carefully designed to give you gradual increases of gain when using the amp’s preamp control. From adding a touch of sweet sustain, to full on metal, your Marshall will now have greater flexibility and deliver a wider range of tones.
Created in collaboration with George Lynch, the Lynch Mod is a custom modified version of the Hot Mod V2. Want to supercharge your classic Marshall amp with more gain without applying a permanent modification? Then read more below and welcome to the Lynch Mod!
Perhaps this is the most common question we receive here when people first inquire about the Hot Mod V2 or Lynch Mod. And of course we also offer a reverse-wired version so that either model can also function in many of the reissue amps which the original Soldano Hot Mod could not. In general, although there are non-master and master volume amps listed here, note that the Hot Mod V2 and Lynch Mod devices generally work better if your amp has a master volume on it. So here is the list:
We’re excited to announce that we have engineered the Hot Mod V2 to now work within two of the newest Marshall Studio Series amps: the Studio Classic, a portable replica of the JCM 800 2203, and the Studio Vintage, Marshall’s mini version of the famed 1959SLP non-master volume amp.
We are honored and humbled by the great feedback we’ve received from customers since releasing the LegendaryTones Hot Mod V2 and Lynch Mod high-gain tube modules. Nothing is more satisfying than to create something that others can enjoy and be inspired by. Here are just a few testimonials below:
“My friend, I am absolutely blown away. I tried it in my 900 and it sounds amazing, I love how articulate the notes still are…Just ran my 900 with your HMV2 and the original (Soldano Hot Mod). I’m so liking yours way more. Just keeps more of your tone intact. I’m really enjoying it. Very responsive. Gets the same growl, but only if you really crank the preamp. The original is pretty much on 11 as soon as you turn your amp on. I’m pretty sure the Soldano Hot Mod is going to go on eBay. Yours is way more usable.”
Dave Hunter’s latest book is entitled, The British Amp Invasion: How Marshall, Hiwatt, Vox, and More Changed the Sound of Music, and covers a span of the influence of British amplification from the late 1950s onward. As an industry, the companies behind the amplifiers are a fascinating study, not only from a design and sonic perspective, but also because of the stories themselves that surround their business success and growth (or for some, their bad deals and decline).
This research point I’m going to share with you doesn’t surprise or shock me. Researchers working on behalf of Fender found that ninety percent of people who pick up the guitar will drop out after one year. In this day and age of instant gratification and short attention spans, it’s not surprising is it? But now, Fender has a solution to take on that challenge.
Fender released a new, subscription-based, digital learning program for Desktop and iPhone, FENDER® PLAY™, designed to help aspiring musicians everywhere learn how to play the guitar. Designed with esteemed music programs and instructors from the University of Southern California and Musician’s Institute (MI) to help first-time players via personalized paths, 4K video and song-specific lessons – Fender Play is poised to revolutionize how new guitar players learn the instrument.
Guitarists (myself included) tend to live in an unusually backward-technology world. Meaning, what was made back then was generally always considered better and more valuable than what is being made now. The proof is in our love of all things vintage, whether we’re talking tube amps, guitars, or effects.
While there is certainly some validity to the argument of certain aspects of “older is better” being true (I would argue that this is true if we are speaking about vacuum tube production, wood availability in guitars, etc.) compared with what’s currently available now, continuing to make the claim of “older is always better” when discussed as an ENTIRE category of guitar gear I would say is false. And I still love vintage gear, but let’s explore this a bit and really think about it and remove our blinders for a moment.
I wanted to share an interesting story and historical piece for you, our dear readers. First some background on the Echoplex tape echo. If you haven’t played through an Echoplex, they are truly legendary tape echo units and should be experienced. In the 1960s and 1970s, when you wanted echo, tape echo was the way to do it. When smaller solid state echo pedals emerged during the mid ‘70s using Bucket Brigade Device (BBD) technology, they were convenient, but lacked the ability to produce long repeat times versus what a tape delay could offer (most analog solid state delay pedals were limited to just 300ms. of delay time). They also sounded different.