HIRED GUN opens for one night only in theaters nationwide TODAY, Thursday June 29, 2017. It is positioned as the quintessential summer film, a rock documentary feature about the stars behind the stars. The film features session and touring musicians that are hired by well-established and famous bands and artists from Billy Joel to Pink to Metallica, and KISS, among many others.
These hired guns — some household names, some not — are undeniable masters of their craft who talk about the art of creating historic rock ‘n roll music of our time. “Hired Gun” is a unique motion picture with the pedigree of winning numerous festivals and making an impact with print editors and the rock community in advance of its June 29th US premiere.
Not every overdrive or distortion pedal has a pedigree that begins with the influence from a Tube Screamer. Many of today’s designers look to other classics to either modify or create their own variations. Today we’ll spend time with the Analogman DS-1 Pro Mod with midrange control, Keeley’s Super Phat Mod Full Range Overdrive and the Totally Wycked Audio (TWA) Hot Sake. Each has its own unique story and tone so join us as we explore them further.
If only things were so easy that we could buy the guitar we felt comfortable with, plug into an amp, maybe add a pedal or two, and then be done. Tone Nirvana. It usually doesn’t happen this way however. The problem is that there are numerous choices for gear and, and even more options for putting together the whole rig, to create an effective system that is optimized. And just how we use the equipment (whether for live use or studio recording) also makes a difference in finding what works for guitarists.
We recently wrote about the challenges with the Internet and its opinions. You can find as many people who will love or hate any particular piece of gear. This can become frustrating when trying to dial in a tone you’re interested in capturing.
At LegendaryTones.com, when we’ve taken on amplifier upgrade projects in the past, often we have recommended replacing stock factory speakers in the process with new models. This is especially true with Fender reissue amplifiers, as often the reissue models include speakers that do not sound or respond anything like the originals – regardless of the brand name they are badged with.