Tag Archives: Fuzz Face

Keeley Monterey Rotary Fuzz Vibe Pedal Review

MontereyAlternate1Arriving in a suave black velvet bag, the latest offering from effects Guru Robert Keeley, the Keeley Monterey Rotary Fuzz Vibe pedal strikes with immediate eye appeal adorned with its groovy painted enclosure, very reminiscent of the painted guitar Hendrix sacrificed at the pedal’s namesake festival in 1967. It’s a very appealing aesthetic, very ’67 and still contemporary enough to look great on a modern pedalboard.
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Last Boutique Builder Standing: Richard Coibion of Monsterpiece Fuzz

Richard Coibion was hit by the effects building bug back in 2001. With a background Monstervariousand education in electronics engineering and having a steady career in IT, Coibion dabbled in modifying fuzz circuits and tuned them to his liking. He hadn’t ever considered making a career out of building effects however.
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Sonus Pedals Fuzz Face 1966 Replica Reviewed

It has been some time since we wrote our Fuzz Feast series about both vintage and FuzzFaceSonus1recent fuzz options on the market. After seeing the prices of original fuzz units climb, I wondered what the boutique market now had available in 2015 as far as the most accurate of Fuzz Face clones. During my search, I stumbled across Sonus Pedals based in the Netherlands and its Fuzz Face 1966 replica.
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Fuzz Feast Part 2 – An Assortment of Today’s Fuzzes

In part one, we spent some time with some vintage fuzz classics. Now let’s move forward in time and take a look at some Fuzzes that are currently on the market (with the exception of one which we’ll get to).

Fuzz, more than any other effect, really comes down to personal preferences. As a result, there is no judgment here with regards to what is the “better” fuzz unit – Just sonic descriptions and details that can help you make some choices depending on the direction that you’d like to go with your fuzz tones.

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Fuzz Feast Part 1 – An Examination of Vintage Fuzz Boxes

I have a confession. As a guitarist for well over 25 years, I had always been an “anti-fuzz” person. In fact, I can honestly say I hated and despised the sound of fuzzes that I had heard. I couldn’t understand the point of purposefully making a guitar sound as atrocious and “lo-fi” as possible in mind. A fuzz tone after all, sounded nothing like an electric guitar should.

During this period of time, my search for the epitome of rock tone had to do with capturing rock guitar tones from the likes of players like Angus Young of AC/DC and of course Edward Van Halen. In my mind, any tone that deviated from those was simply bad tone, or at best, “sub-par.”
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