Category Archives: Effects

Klon Centaur vs. Klon KTR

KlonCentaurKTR2When the original Klon Centaur professional overdrive was released in 1994, it was one of the very first boutique overdrive pedals on the market created for the player interested in fine-tuning their tone. Boutique in every sense of the word and hand built by its creator Bill Finnegan, each Klon Centaur was carefully crafted with premium and carefully selected parts. As other boutique pedal makers developed products throughout the decade and focused on expansion with other models, Finnegan stuck with the Klon Centaur as his sole focus.
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Last Boutique Builder Standing: Richard Coibion of Monsterpiece Fuzz

Richard Coibion was hit by the effects building bug back in 2001. With a background Monstervariousand education in electronics engineering and having a steady career in IT, Coibion dabbled in modifying fuzz circuits and tuned them to his liking. He hadn’t ever considered making a career out of building effects however.
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Keeley Oxblood Overdrive Pedal Giveaway!

Oxblood_lyxe57We’re thankful for YOU, our readers! And to show our gratitude, we’re giving away one of Robert Keeley’s most in-demand new releases, the Keeley Oxblood overdrive pedal. All you need to do to enter is insert a comment below with a topic you’d like us to research and write about next year! It could be anything from a review request for a specific product, a tone tip or question, a profile of a favorite artist or an interview, etc. We’ll select a winner randomly on DECEMBER 18, 2015! Good luck and wish you all a wonderful holiday season!

Analogman Mods Our Favorite Reissue Tube Screamer: The 35th Anniversary TS-808

In 2014, Ibanez introduced its 35th anniversary TS-808 Tube Screamer overdrive pedal, based on the original it created in 1979. What’s now known as the “narrow box 35th1model” by collectors, has returned in its original smaller footprint, with the rare “flying fingers” graphics along with side-mounted 1/8-inch 9v DC adapter jack just like the original. The lightweight aluminum 35th anniversary TS-808 was also changed under the hood to be closer to the original, and is outfitted with a pair of op amp chips. This is a variation that is the main difference between it and the single op amp version of the 1980 TS-808 Tube Screamer and others including the TS-9 that followed. These later TS-808 and TS-9 models deployed input and output transistor buffers rather than the additional chip used in the original and now reissued narrow box model.
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Maxon OD808X Extreme…Just Another Modded Tube Screamer?

The Tube Screamer is arguably the most copied and modified overdrive circuit ever. With good reason, this classic effect delivers a soft compression that truly is amp-like OD808Xin response, feel, and tone. Maxon, the original manufacturer of the Tube Screamer, has now released its own response with a modified design and dubbed it the Maxon OD808X Extreme. But will the OD808X Extreme just provide more gain and the “same old” sound, or will it provide something truly unique?
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Reverb Pedal Buying Guide for Various Applications

Deciding which effects pedals are right for you can get pretty tough. There are a lot of great options out there, and, let’s face it, it’s hard not to feel like you want them all. Unfortunately, our rockstar aspirations rarely jive with our less-than-rockstar budgets. So we’re forced to choose between various pedals. If you are currently trying to decide on the right reverb pedal for your board, we’ve got some advice to help out. Today we’ll be looking at a few fantastic reverb pedals and discussing which applications each of them is best suited for.
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Sonus Pedals Fuzz Face 1966 Replica Reviewed

It has been some time since we wrote our Fuzz Feast series about both vintage and FuzzFaceSonus1recent fuzz options on the market. After seeing the prices of original fuzz units climb, I wondered what the boutique market now had available in 2015 as far as the most accurate of Fuzz Face clones. During my search, I stumbled across Sonus Pedals based in the Netherlands and its Fuzz Face 1966 replica.
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Keeley Electronics GC-2 Limiting Amplifier Review

Among musicians, Robert Keeley has become a virtual household name in quality GC2FaceWhite2-1000x1000compression for well over a decade. With humble beginnings building early units based on the famed grey Ross compressor from out of his home, to now having sold over 40,000 compressors and growing his business with a complete lineup of original designs, Robert Keeley and the team at Keeley Electronics have achieved great success since the early days.

The latest designs in the company’s compression family are original and based on new circuits that Robert and his engineering team spent years perfecting. Today we’ll look review the more compact model, the Keeley GC-2 Limiting Amplifier.

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Fuzz Feast Part 2 – An Assortment of Today’s Fuzzes

In part one, we spent some time with some vintage fuzz classics. Now let’s move forward in time and take a look at some Fuzzes that are currently on the market (with the exception of one which we’ll get to).

Fuzz, more than any other effect, really comes down to personal preferences. As a result, there is no judgment here with regards to what is the “better” fuzz unit – Just sonic descriptions and details that can help you make some choices depending on the direction that you’d like to go with your fuzz tones.

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Fuzz Feast Part 1 – An Examination of Vintage Fuzz Boxes

I have a confession. As a guitarist for well over 25 years, I had always been an “anti-fuzz” person. In fact, I can honestly say I hated and despised the sound of fuzzes that I had heard. I couldn’t understand the point of purposefully making a guitar sound as atrocious and “lo-fi” as possible in mind. A fuzz tone after all, sounded nothing like an electric guitar should.

During this period of time, my search for the epitome of rock tone had to do with capturing rock guitar tones from the likes of players like Angus Young of AC/DC and of course Edward Van Halen. In my mind, any tone that deviated from those was simply bad tone, or at best, “sub-par.”
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