Richard Coibion was hit by the effects building bug back in 2001. With a background and education in electronics engineering and having a steady career in IT, Coibion dabbled in modifying fuzz circuits and tuned them to his liking. He hadn’t ever considered making a career out of building effects however.
In part one, we spent some time with some vintage fuzz classics. Now let’s move forward in time and take a look at some Fuzzes that are currently on the market (with the exception of one which we’ll get to).
Fuzz, more than any other effect, really comes down to personal preferences. As a result, there is no judgment here with regards to what is the “better” fuzz unit – Just sonic descriptions and details that can help you make some choices depending on the direction that you’d like to go with your fuzz tones.
I have a confession. As a guitarist for well over 25 years, I had always been an “anti-fuzz” person. In fact, I can honestly say I hated and despised the sound of fuzzes that I had heard. I couldn’t understand the point of purposefully making a guitar sound as atrocious and “lo-fi” as possible in mind. A fuzz tone after all, sounded nothing like an electric guitar should.
During this period of time, my search for the epitome of rock tone had to do with capturing rock guitar tones from the likes of players like Angus Young of AC/DC and of course Edward Van Halen. In my mind, any tone that deviated from those was simply bad tone, or at best, “sub-par.”