Tag Archives: distortion

Analog Man Astro Tone Fuzz Review: The Fuzz to Win Over the Anti-Fuzz Player

Fuzz pedals are notoriously finicky. Not only can some fuzz boxes themselves sound different based on their own component variances and the environment or temperature they are used in, but they are always dependent on the gear that they are being used with as well. Case in point is the classic germanium Fuzz Face beloved by Hendrix. Sure, when it’s in front of a Marshall that is already overdriven, you’ll get some magic happening by adding those bits of germanium magic.  But…

…stick that same Fuzz Face in front of a Fender blackface amp and you’ll hear a whole different, and very ugly, side to the Fuzz Face. And turn on the bright switch on your old blackface and you’ll be pummeled with an even more horrid and brittle sound.
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Modified Classic Overdrive/Distortion Units Reborn from Analogman, Keeley, and TWA

Not every overdrive or distortion pedal has a pedigree that begins with the influence from a Tube Screamer. Many of today’s designers look to other classics to either modify or create their own variations. Today we’ll spend time with the Analogman DS-1 Pro Mod with midrange control, Keeley’s Super Phat Mod Full Range Overdrive and the Totally Wycked Audio (TWA) Hot Sake. Each has its own unique story and tone so join us as we explore them further.
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Fuzz Feast Part 1 – An Examination of Vintage Fuzz Boxes

I have a confession. As a guitarist for well over 25 years, I had always been an “anti-fuzz” person. In fact, I can honestly say I hated and despised the sound of fuzzes that I had heard. I couldn’t understand the point of purposefully making a guitar sound as atrocious and “lo-fi” as possible in mind. A fuzz tone after all, sounded nothing like an electric guitar should.

During this period of time, my search for the epitome of rock tone had to do with capturing rock guitar tones from the likes of players like Angus Young of AC/DC and of course Edward Van Halen. In my mind, any tone that deviated from those was simply bad tone, or at best, “sub-par.”
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Maxon 9 Series Reviewed

Maxon continues to improve and refine its 9-Series effect pedal line. From the company’s early years in the 70’s manufacturing effects as an OEM for Ibanez as well as under its own brand, to now with improvements to circuits such as the inclusion of true-bypass using quiet switches, Maxon’s design and engineering team have continued to explore new territory while never forgetting its roots of early success.
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Keeley Electronics DS-1 Seeing Eye Mod

Robert Keeley’s name has grown substantially over the past couple of years and with good reason: he’s an electrical engineer by trade blessed with a musician’s ear for good tone. That combination has proved to be a blessing for his business, Keeley Electronics, and has earned Robert the reputation of knowing what sounds good and being able to build those tones into his final products for his customers.
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Ibanez TS-9 Tube Screamer Reissue Review

Ibanez TS-9 Tube Screamer Reissue

Ibanez began producing pedal effects in the mid 70’s. At that time, many of their products were remarkably similar in sound to one of the leading effects maker of that era, MXR. In the early 80’s, the first Tube Screamer, model TS-808, was introduced and became a success. In 1982, the updated Tube Screamer, model TS-9, was introduced and was even more successful. Acclaimed for its soft-clipping distortion characteristics that was fairly touch-responsive, especially for a pedal made in that time, the Tube Screamer became a favorite for both blues guitarists as well as rock guitarists that wanted to add more punch to their already distorted sound.

With prices of original TS-808 and TS-9 Tube Screamers literally going for hundreds of dollars more than they ever sold for new (As of this writing, TS-808’s have gone for $450+ on Ebay and I’ve seen original TS-9s in the $250-$300 price range), Ibanez decided to make the most of this demand and reissue the Tube Screamer TS-9.
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Bixonic Expandora EXP-2000R Distortion Review

The Bixonic Expandora EXP 2000R is a unique looking pedal, with a novel approach and style that sets it apart from today’s invasion of new overdrive units. A reissue of the original Expandora 2000, the new unit incorporates some new sounds and design updates from the original. Within the confines of its sturdy housing, it contains a broad palette of sounds for the player looking to sample some different flavors of overdrive without having to commit to the cost or space of several individual pedals.
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