Fuzz pedals are notoriously finicky. Not only can some fuzz boxes themselves sound different based on their own component variances and the environment or temperature they are used in, but they are always dependent on the gear that they are being used with as well. Case in point is the classic germanium Fuzz Face beloved by Hendrix. Sure, when it’s in front of a Marshall that is already overdriven, you’ll get some magic happening by adding those bits of germanium magic. But…
…stick that same Fuzz Face in front of a Fender blackface amp and you’ll hear a whole different, and very ugly, side to the Fuzz Face. And turn on the bright switch on your old blackface and you’ll be pummeled with an even more horrid and brittle sound.
We love our Marshall amps! The purpose of this article is to recognize the various changes in the amplifiers from the “metal panel” era of the JMPs from to the JCM 2000 series so that the potential buyer can be better educated. Some deliver the goods better than others and I’ve owned many Marshall amps over the years and had to learn the hard way after plenty of dollars spent. Ultimately though — use your own ears and compare. Enjoy the next installment of our Marshall Shopper’s Guide.
We will begin this article with an honest question: Does the world need yet another Tube Screamer or Tube Screamer clone? The original pedal itself sees no end to its use and popularity, and from the 90’s onward there has been no stop in production from countless manufacturers, large and small, each creating their own stamp and version of the pedal based on the Tube Screamer circuit. From low-cost imports made in China that anyone can afford, to custom painted unique one-offs costing hundreds of dollars, there’s a Tube Screamer for every class and budget of musician. So don’t we have enough already?