Hughes and Kettner Tube Factor Overdrive/Distortion Pedal

Overdrive pedals that incorporate tubes have been around for many years. As the designs themselves have progressed, the sound of these devices have also improved significantly. For example, initially tube overdrive pedals ran the preamp tube or tubes with very low voltages and this changed the sonic characteristics of the effect. Many of today’s units however now run the tubes at the high plate voltages (in the neighborhood of 300 volts!) that the tubes were intended to be operated at.

In the months ahead, we hope to bring you a roundup of many different models of tube overdrive pedals. For now, we’ve taken a look at an especially impressive model: Hughes and Kettner’s Tube Factor.
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Line6 GuitarPort

Line6 GuitarPortThe first time I saw the Line6 GuitarPort, I was confused by what it was, as well as skeptical about what it could actually do based on its simple appearance. My curiosity however, got the better of me, so I decided to take an in depth look at it, specifically, its functionality and features pertaining to my computer-based recording setup.

To tell you the truth, I wasn’t really expecting much given the low MSRP of $229.99 US after all, I have played through many of today’s new amp and effect modelers, and have learned that you generally get what you pay for. In any case, I was quite surprised at what I found out about the unit. First, it isn’t merely a guitar modeler and recording interface; it is a totally intuitive, interactive guitar processing, practice and teaching system for guitarists of any skill level.
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Vacuum Tube Basics

While digital modeling has caught the attention of many players today, tubes and tube amps are far from dead. And even with the new digital modeling technology, which indeed is designed to try and emulate the sounds of world-famous tube amps from the past and present, there seems to be a resurgence in the number of tube amp options that are out there. One of the strengths of a good tube amp is its ability to respond to the dynamics of a guitar player’s picking attack when a tube is being overdriven. In addition, no solid-state or digitally modeled amplifier sounds as good as a tube amp when played over a loud band. In fact, it is at loud volumes where tube amps really come alive, while solid state and digitally modeled amps will often become thin and have harsher high-frequency emphasized tones.

Since tube amps and tubes themselves are certainly here to stay, I thought it would be appropriate to talk about vacuum tube basics. This article’s purpose is simple: to discuss what tubes do, describe the different tube types and how they each sound. Afterward, we’ll discuss briefly about what to look for when shopping for tubes and getting them installed.
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Ibanez TS-9 Tube Screamer Reissue Review

Ibanez TS-9 Tube Screamer Reissue

Ibanez began producing pedal effects in the mid 70’s. At that time, many of their products were remarkably similar in sound to one of the leading effects maker of that era, MXR. In the early 80’s, the first Tube Screamer, model TS-808, was introduced and became a success. In 1982, the updated Tube Screamer, model TS-9, was introduced and was even more successful. Acclaimed for its soft-clipping distortion characteristics that was fairly touch-responsive, especially for a pedal made in that time, the Tube Screamer became a favorite for both blues guitarists as well as rock guitarists that wanted to add more punch to their already distorted sound.

With prices of original TS-808 and TS-9 Tube Screamers literally going for hundreds of dollars more than they ever sold for new (As of this writing, TS-808’s have gone for $450+ on Ebay and I’ve seen original TS-9s in the $250-$300 price range), Ibanez decided to make the most of this demand and reissue the Tube Screamer TS-9.
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Vintage vs. Reissue Gear: Decisions, Decisions…

During the past few years, there has been a resurgence in the interest of vintage gear of all types, not only guitars and amplifiers, but even effect pedals. In the case of effect pedals, this is a most interesting phenomenon because during the ‘80s, when digital state-of-the-art rack systems were in vogue, effect pedals were basically considered “old junk.” Regardless, with so much interest in the market for vintage tones and gear, it was a no-brainer for companies to seek to fulfill the demand by creating reissues. And of course, like anything else, some of these recreations were built more accurately and better than others.
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The “Secret” Edward Van Halen Pickup!

evh_pickupI’ll admit I really lagged on doing a feature on pickups. It’s so much easier to just plug in a pedal, or play through an amp, etc. rather than having to go through the process of installing pickups with all the guitar dismantling, the soldering and even restringing of the guitar which isn’t something I’m ever thrilled to do. In any case, I knew that I eventually would have to take a look at some pickups so I made a call to premier pickup maker Seymour Duncan first.
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2000 Fender American Standard Strat

Year 2000 Fender American StratocasterYear 2000 marks the end of the American Standard Stratocaster line and the introduction of Fender’s new American Series Stratocaster. Many marked refinements were incorporated in the new American Series Stratocasters that we’ll examine in the future. However, because the American Standard Stratocaster has been discontinued, it means that there are potentially great deals to be found in the marketplace. For that reason, as well as to mark the end of the American Standard Stratocaster’s 13-year life, LegendaryTones.com decided to examine some of the history of the American Standard Stratocaster as well as look at the year 2000 model in depth.

The first of Fender’s famous and long-lived American Standard Stratocasters was introduced in 1987 at the NAMM Convention and was a hit from the start. Fender was now in its post-CBS era, and the company’s new management team was committed to bringing Fender back to its glory days by again producing high-quality affordable instruments. In the 70’s especially, the CBS-owned Fender company suffered from a reputation for producing poorly-made guitars as a result of mass production and poor quality control. Being owned by mega-giant CBS did nothing but encourage the notion that the company only cared about profits. However, with new owners and the new American Standard model introduced, Fender clearly succeeded in time and the company again enjoyed a renewed reputation for producing quality instruments.
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Marshall’s All-Tube 20 Watt Combo – JCM 2000 DSL-201

Throughout its history spanning nearly 40 years, Marshall has continued to produce amplifiers that have been successfully adopted and used by musicians worldwide. As the years progressed, Marshall amplifiers came offered with a variety of additional features to suit the needs and requests of musicians through changing times. Nowadays, a fully equipped Marshall incorporates two or three channels, reverb, an effects loop, speaker-emulated direct outs, additional preamp stage gain, as well as a wide array of independent tones and volume controls for each available channel.

Marshall JCM 2000 DSL-201Power requirements have changed as well. With today’s modern p.a. systems being more than suitable to run the entire band, it is no longer required to run a Marshall stack at full volume and save the p.a. system “just for the vocals”. Today’s guitarists playing club gigs will often mike up through house sound, hence the increased popularity of guitar amplifiers that incorporate their gain within the preamp stage instead of getting distortion by overloading the power tubes. There are benefits and drawbacks to this distortion approach and it is one that truly goes beyond the scope of this article so it will not be discussed here. However, when all is said and done, musicians in general seem to appreciate the added flexibility that additional preamp gain stages provide.

Marshall’s JCM 2000 Dual Super Lead series of amps are designed for musicians that require two independent channels of pure tube Marshall tone at a reasonable price. Models are available in a variety of wattages, from the 100 watt DSL 100 head, down to the baby of the line, the 20 watt DSL 201 combo. For those in need of three channels and wish to pay an added premium, Marshall also offers its JCM 2000 Triple Super Lead Series. For this review however, we’ve opted to take a look at Marshall’s 20 watt DSL 201 combo. As a practice amp, or as a club or gigging amp, the DSL 201 offers a wide range of tonal options.
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Bixonic Expandora EXP-2000R Distortion Review

The Bixonic Expandora EXP 2000R is a unique looking pedal, with a novel approach and style that sets it apart from today’s invasion of new overdrive units. A reissue of the original Expandora 2000, the new unit incorporates some new sounds and design updates from the original. Within the confines of its sturdy housing, it contains a broad palette of sounds for the player looking to sample some different flavors of overdrive without having to commit to the cost or space of several individual pedals.
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Marshall’s All-Tube 20 Watt Combo: JCM 2000 DSL 201

Throughout its history spanning nearly 40 years, Marshall has continued to produce amplifiers that have been successfully adopted and used by musicians worldwide. As the years progressed, Marshall amplifiers came offered with a variety of additional features to suit the needs and requests of musicians through changing times. Nowadays, a fully equipped Marshall incorporates two or three channels, reverb, an effects loop, speaker-emulated direct outs, additional preamp stage gain, as well as a wide array of independent tones and volume controls for each available channel.
Read More »