Guitarists (myself included) tend to live in an unusually backward-technology world. Meaning, what was made back then was generally always considered better and more valuable than what is being made now. The proof is in our love of all things vintage, whether we’re talking tube amps, guitars, or effects.
While there is certainly some validity to the argument of certain aspects of “older is better” being true (I would argue that this is true if we are speaking about vacuum tube production, wood availability in guitars, etc.) compared with what’s currently available now, continuing to make the claim of “older is always better” when discussed as an ENTIRE category of guitar gear I would say is false. And I still love vintage gear, but let’s explore this a bit and really think about it and remove our blinders for a moment.
It’s no secret that the editorial staff at LegendaryTones shares a passion about guitar amplifiers. While famous guitarists around the world are mostly known for their association with particular guitars, we feel the amps are the true unsung heroes behind any guitarist’s rig.
During the past few years, there has been a resurgence in the interest of vintage gear of all types, not only guitars and amplifiers, but even effect pedals. In the case of effect pedals, this is a most interesting phenomenon because during the ‘80s, when digital state-of-the-art rack systems were in vogue, effect pedals were basically considered “old junk.” Regardless, with so much interest in the market for vintage tones and gear, it was a no-brainer for companies to seek to fulfill the demand by creating reissues. And of course, like anything else, some of these recreations were built more accurately and better than others.