Category Archives: Effects

A/DA Flanger

I loved the sound of the flanger from the first time I heard it used on recordings. I thought the jet-sweeping flanging sound used on recorded drums was simply awesome. Then I listened to Eddie Van Halen’s guitar on “Unchained” and thought it was cool having the up and down sweeps of the flanger move along in time with the dropped D pedal tone riff. After hearing that, I just had to have one for myself.
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Maxon OD-9 Overdrive and SD-9 Sonic Distortion

OD-9: Suggested retail price – $140

od9_mainimg_02The Maxon OD-9 leads off the 9-Series of pedals and in fact looks just like the original Ibanez TS-9 tube screamer. There’s good reason for that since Maxon is actually the manufacturer for the classic effect – look inside a TS-9 on the circuit board and you’ll see the Maxon name! So let’s dig in a bit more and see what’s new with Maxon’s own OD-9 Overdrive.
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Ibanez TS808HW Limited Hand Wired Edition: The Ultimate Tube Screamer?

We will begin this article with an honest question: Does the world need yet another Tube Screamer or Tube Screamer clone? The original pedal itself sees no end to its use and popularity, and from the 90’s onward there has been no stop in production from countless manufacturers, large and small, each creating their own stamp and version of the pedal based on the Tube Screamer circuit. From low-cost imports made in China that anyone can afford, to custom painted unique one-offs costing hundreds of dollars, there’s a Tube Screamer for every class and budget of musician. So don’t we have enough already?
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Can the Ibanez TS808 Reissue be Modded for Exact Vintage TS808 Tone?

In our recent TS808HW feature, we compared the limited handwired unit along with the standard reissue TS808, the Maxon OD808, and an original TS808 from 1980. The results from the test overall were clear: while the TS808HW is a fantastic pedal, the vintage TS808 had the most dynamics, the longest sustain, and was judged the most transparent from ts808ribottom end to top end. This surprised us (because some of us felt that vintage Tube Screamers were mostly unwarranted hype), but it also set in motion a question that drove our curiosity further. Could one of us get the reissue TS808 to sound and feel like the original TS808 – a pedal that as of this writing in late 2008 regularly sells for between $400-$600 USD?
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Maxon AD80 Analog Delay

Maxon AD-80 Analog DelayIt’s interesting how times change and how trends shift with them. Back in the early ’80s, digital was “in” – whether it was a delay pedal, or rackmount system, digital was new, sophisticated and very hot. Also in the ’80s the cost of digital effects had finally moved down to the point where they were becoming affordable to the mass market of musicians. this point, analog technology and especially analog delay units themselves were “out”. While many pedal makers such as Boss still manufactured their analog delay units, these were relegated as being the bottom of the line and were priced accordingly. Afterall, who’d really want analog delay when you can get more delay time with crystal clear fidelity from a new digital unit?

Now as we sit comfortably within the digital age in the year 2002, there is a new-found resurgence and interest in all things analog. Analog, with its imperfections, coloring, and resulting warmth just seems more human and more natural. These days, the word digital invokes the thoughts of being “stiff”, “sterile sounding”, or just fill in the blank with your favorite similar adjectives and nouns.
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Vox Valvetronix AD120VTX Amplifier & Vox Tonelab

The Vox name should be familiar to virtually any guitarist that’s taken that quest for tone or is a regular visitor to this site. That name is of course associated with some of the most famous amplifiers of all time, including the AC15 and AC30. The AC15 had its beginnings in the late 1950’s with the AC30 following soon afterward – and now, even after more than 50 years with the same circuit design at their heart, these are still two amps that continue to be revered for their tone and are as musically useful today as they’ve ever been.

So when Vox announced two years ago that it was moving toward the production of modeling amplifiers, no doubt there was skepticism about what the final product would be like. I’m sure mutterings of “Why mess with a good thing?” were heard and told as well as how a company rooted in “older technology” would do with the creation of amplifiers based on new technology and engineering requirements.
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Maxon 9 Series Reviewed

Maxon continues to improve and refine its 9-Series effect pedal line. From the company’s early years in the 70’s manufacturing effects as an OEM for Ibanez as well as under its own brand, to now with improvements to circuits such as the inclusion of true-bypass using quiet switches, Maxon’s design and engineering team have continued to explore new territory while never forgetting its roots of early success.
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Maxon OD808 Overdrive

Maxon OD808 OverdriveTo those who were “in the know”, Maxon’s OD808 was identical to the famous Ibanez TS-808 Tube Screamer in nearly all but name when it was initially put on the market in the late ‘70s and early ’80s. In fact, Maxon was the OEM (original equipment manufacturer) for Ibanez and actually made both the Ibanez pedals as well as its own under the Maxon name.

When Ibanez reissued its TS-9 Tube Screamer in 1996 (circuit still manufactured by Maxon), some wondered why they didn’t choose to reissue its TS-808 model instead. Thankfully though, modifications were easy enough to perform to turn the TS-9 reissue into a genuine TS-808 and many offer that service today.

For lovers of the 808 sound that don’t want to deal with modification hassles, Maxon under its own name has reissued its own OD808 pedal based on the same circuit of its more-famous Ibanez TS-808 cousin. The “808” sound overall is famous for its bluesy transparency, touch-sensitivity, and smooth overdrive tone. As tone-lovers, we were anxious to take the OD808 for test spin.
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Analog Chorus Roundup Review

I had recently picked up a chorus unit as I was interested in adding some thickened multi-guitar sounds to my rig. It had been years since I had played with chorus units, seeing as I had largely overdone the effect in the ‘80s as many other players did. I thought however that now would be a good time since I have more taste now to be able to use the effect more sparingly.
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