Jimi Hendrix reaches the end of an already incendiary set at the 1967 Monterey International Pop Festival, when he takes off his black Stratocaster, and straps on another Strat. This formerly red Strat now features a hand-painted white base and personal designs applied with nail polish by the young guitarist earlier in the day. As he plugs in, strumming it to get in tune, he laughs and makes a seemingly offhand remark to the euphoric crowd about sacrificing “something I love,” before summoning a wall of feedback to start the set-closing “Wild Thing.” Unknown to everyone but Jimi, the Strat is now an offering to the audience and his destiny, the guitar a legendary piece, and then pieces, of modern history.
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All posts by Jon Dunn
Elixir Optiweb Electric Guitar Strings
Changing guitar strings is a lot like shaving; it’s fun and challenging at first, but do it a few thousand times, the less fun it becomes. Upgrading from a Bic shaver to three-blade cost me a little more, but it made the task easier and I got a better shave that lasted longer. When it came to making strings last, I boiled them, or cleaned them with Windex to stretch a set for a few more days. So, any string that promised a longer useful life, I’d try out a set, even when they cost more than my normal nickel/steel brand.
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The Keeley Dark Side Workstation: Fuzz, Phaser, Univibe, Rotary, Flanger Multi-head tape delay
The new addition to the Keeley line is an homage to the mid-70s David Gilmour sound, resting comfortably in the classic Dark Side to Animals (even The Wall) period of the Pink Floyd guitarist’s work. As with Keeley’s recent Jimi Hendrix-inspired Monterey pedal, the Dark Side sports beautiful workmanship, low noise, a great layout and a cornucopia of features. There’s a lot to cover, so I’ll plug in a stock early 70s Strat (I had to for this pedal!) to a clean Fender-style amp and put the Dark Side into play.
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Keeley Monterey Rotary Fuzz Vibe Pedal Review
Arriving in a suave black velvet bag, the latest offering from effects Guru Robert Keeley, the Keeley Monterey Rotary Fuzz Vibe pedal strikes with immediate eye appeal adorned with its groovy painted enclosure, very reminiscent of the painted guitar Hendrix sacrificed at the pedal’s namesake festival in 1967. It’s a very appealing aesthetic, very ’67 and still contemporary enough to look great on a modern pedalboard.
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Legendary Artist Profile: David Gilmour
David Gilmour holds a special place in the heart of many guitarists, let alone among the fans of Pink Floyd’s music. By sheer virtue of his expressive playing and songwriting, he should be mentioned in the same breath as Clapton, Page, Townshend or Beck. While he may not be the technical virtuoso, he has clearly defined his own sound and style, one that is unique and beautiful. From his early forays into psychedelia to his solo albums, numerous guest appearances and the entire Pink Floyd canon, his ability to bring his own voice to the music stands as a remarkable achievement. With the recent release of a live solo DVD and continuing interest in the Floyd catalog, the Gilmour phenomenon continues to delight guitarists and music fans alike.
Far from being a complete dissertation of Gilmour’s sound and style, this article strives to paint a broad picture of the tolls used and offer some insight into the David Gilmour phenomenon. As noted by The Wall producer/collaborator Bob Ezrin, “…with Gilmour, equipment is secondary to touch. You can give him a ukulele and he’ll make it sound like a Stradivarius. He’s truly got the best set of hands with which I have ever worked.”
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Maxon AD999 vs Deluxe Memory Man
Originally, this review was intended to be a comparison between the two delay units, but as the delays showed their wares, I began to feel that they were actually two separate units that shared a common function and construction. And in a world full of different delay options, it’s these units shared and disparate qualities that set them apart.
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Eric Clapton: An Appreciation of the Early Years
If Eric Clapton had decided to lie down his guitar and never play another note, his legendary stature in the history of popular music would still be secure. At the ripe old age of 23, he had lit the pop music world on fire with the Bluesbreakers and had finished playing with the first supergroup, Cream. He topped critic’s polls, had platinum albums and a huge house in the English countryside and everyone wanting to work with him. But at this point, he was trying to elude the spotlight and continue his musical journey out from under the microscope. The grueling pace of the Cream touring and recording had left him burnt out, and by the end of 1968, Eric Clapton was ready for a change.
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Bixonic Expandora EXP-2000R Distortion Review
The Bixonic Expandora EXP 2000R is a unique looking pedal, with a novel approach and style that sets it apart from today’s invasion of new overdrive units. A reissue of the original Expandora 2000, the new unit incorporates some new sounds and design updates from the original. Within the confines of its sturdy housing, it contains a broad palette of sounds for the player looking to sample some different flavors of overdrive without having to commit to the cost or space of several individual pedals.
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